Lydia Boddie-Riceat Joy Gallery, 498 1/2 West Main Street, Rochester, New YorkToday, I write about "Renewal" as a stage in the life of an artist. To renew oneself, is to spend time getting back to the basics, to feel more like oneself inside and out. Part of this life as an artist is to be able to spend time in the studio creating new paintings and also be able to go out to galleries and look at what others have produced. Our community, here in upstate New York, has great creative drive and there seems to be renewed energy since the pandemic, which finds a voice in recent exhibitions that have opened this week.I am impressed by the artworks I found at the Joy Gallery on West Main Street in Rochester ( call for information at 585 436-5230 ). Created by Lydia Boddie-Rice, in a solo exhibition she calls: " Rising on the Wind", one finds unique paintings and collage on view. We parked outside and opened a door to a whole new experience of art that implied movement and character. The motion considered by the artist is one of soaring into the [...]

The Indigenous artist's gripping exhibition "Tsi Non:we Entewaha'hara'ne / Our Path Forward" opens at RoCo on Aug. 30. [...]

The 15th annual iteration of new works by Black playwrights runs August 20-25 at MuCCC. [...]

My new book " Wheelhouse" published by ArtVoices Books this monthCheck it out!Here is the cover my new art book, and I want to let you know that it is worth the work to put this volume together for my interested collectors and followers! We hope you will enjoy the stories that are told inside along with over a hundred different works of art - paintings and works on paper and many new prints that I make in my studio. Yes, there is a wide range of artwork here, and it follows my development as a fine artist which has gone through some real evolutions!Even this book has evolved through paperback editions and now here is the new hardback which you can find on line for sale at Amazon! My new book traces the changes in my work from representational compositions like the one on the cover which I call "Summer Harbor", to recent pieces like the one below which I call "Back Bay""Back Bay" , Transfer print on Fabriano paperEarlier, in the 1980s my work took on an active kind of abstraction, influenced by expressionist artists, and I really got deeply involved in a [...]

Merry Christmas Eve! Tonight, some of you will be going to a Christmas vigil mass and will probably hear a retelling of the birth of Jesus. It is a familiar story with some key elements - Jesus in a manger, shepherds in a field, and three kings bearing gifts to the newborn child. With these key points, the story is complete, but it was not always this way. The nativity story that we are familiar with today is actually a composite narrative of canonical and non-canonical writings. In the early years of Christianity, the Church leaders spread this hybrid tale to the masses through art, which Pope Gregory the Great described as “the Bible of the illiterate." The Dijion Nativity by Robert Campin is an example of several nativity stories melded into one. Campin pulled from the canonical gospel of Luke, the non-canonical gospels of Pseudo-James and Pseudo-Matthew, and the popular (at the time) vision of Saint Bridget of Sweden. Dijion Nativity, Robert Campin, c. 1420 Shepherds from Portinari Altarpiece, Hugo van der Goes, c. 1475 The three shepherds peering in at Jesus are from the canonical gospel of Luke. Each of the gospel writers played towards their audience. Luke wrote in Asia [...]

If my calculations are correct, you probably got your midterm research paper back a couple weeks ago, and it was covered with red pen marks. With only four short weeks left before your final paper is due, you're wondering how you can improve your writing to boost your grade for this last assignment. Below, I have listed some of the most common mistakes you should look out for while editing your paper. This is a lengthy post, with no pictures, but I promise it will be helpful for you art history students out there. 1. Using “WH” words outside of a question Who, what, where, when, why, and how. In everyday conversation we say things like “that is where I bought my watch” or “this is how you tie a shoe.” However, in a formal paper, “wh” words should only be used when posing a question. So, if this was a formal paper, that last sentence would be a mistake. I could rephrase it as “…words should only be used if posing a question.” I don't bother making that edit here on the blog because I want to have a conversational tone, but I would never (knowingly) submit a paper with that [...]

Wheeling Community: Exploring Rochester's Little Known Public Art by Kitty Jospé On Sunday, May 3, over 80 people joined Bleu Cease, Executive Director/Curator at RoCo and Photographer Richard Margolis for a tour of eight hidden treasures of public art. This tour, in conjunction with the current exhibit, “Ride It: Art and Bicycles in Rochester” at Rochester Contemporary Art Center (RoCo) celebrated the idea of “slow art” and a chance to notice not only what we often are hurrying by, but to think of larger implications of how we live in our environment. It is heart-warming to join with others on a sunny spring day, and discover art and the stories and contexts behind it—and this incredible dividend: No, not the sounds of trains, or the way sculptures frame fascinating details of buildings, but a sense of feeling connected to others, and connected to our city. Did you know Rochester has had Liberty Poles at the same site since 1830? What a surprise to arrive on site-specific six-part Rochester Project, by Richard Fleischner. It is a magnificent outdoor amphitheatre, looking out on three stone lattices, all the same size but with variations on [...]

“A photograph presents the artist and the viewer with a challenge, because we always want to know what it is—as if the photograph were not there. For over 165 years, an extraordinary number of forces have made us instinctively believe that photographs are windows on reality—even when reason tells us otherwise.” — Carl Chiarenza, 2013 lecture excerpt A photograph of you is not you. It is, in fact, an illusion. That simple viewpoint is perhaps the cornerstone of famed photographer Carl Chiarenza's body of work—and his role as a mentor to other artists. “It's not unreasonable for people who are interested in photography to accept what has been broadcast since the 1830s, which is that the photograph captures reality, actuality,” Carl says. "Mulligan Print," by Carl Chiarenza. Carl's work has been shown around the world and can be found in the collections of more than 50 museums, including The Getty Museum, Philadelphia Museum of Art, The Museum of Modern Art in New York City, The Art Institute of Chicago, and Bibliotheque Nationale in Paris. “From my point of view, it never did that. Every photograph is an abstraction.” That perspective has so informed his work, he avoids some of the [...]

Rochester musician and SUNY Potsdam student Mikaela Davis plays a semi-grand harp, one size down from a concert grand. When she first began to play as a child, she started on a smaller-style troubador harp. “I've always known I wanted to go to school for music,” she says. “I wanted to be a professional harpist in an orchestra and teach harp at a college—until my own music became my main focus.” (photo by Aaron Winters) Let's play word association. “Harpist.” Go. Did you respond with “pop-music newcomer”? You will. Rochester-born Mikaela Davis knows how to show a harp who's boss. Backed by a mix of guitar, keyboards, and her own lilting vocals, Mikaela has deftly plucked a classic instrument out of its past. Spun it into a modern sound. And wrapped it in sparkling lights, ready for download. Her self-titled debut album came out in 2012, and she describes it as indie-pop. Just the same, she's hesitant to commit to a category. “I don't like to put myself in a genre. The music we're doing now, it's nothing like my first album. We went something that's more psychedelic rock on the new EP,” Mikaela says. Brian Moore, audio engineer and owner of Red Booth [...]

The Beauty of Gray: Scapes exhibit showcases video art that's not all black and whiteby Geoff Graser If you don't “get it” right away, Debora and Jason Bernagozzi understand. When the couple tells people they do video art, most people say, “Oh, you do commercials.” Nope. “Oh, you do those weird foreign movies.” Not exactly. The Bernagozzis' art form is more like abstract art—abstract art that moves and talks and sometimes chirps. The Bernagozzis' work is part of RoCo's “Scapes” exhibit on display until Sunday, November 13. On my first try, I didn't exactly “get it.” And that's all right, Jason says, that's partly his point. He thinks Americans are spoon fed so many messages through the media and popular art that people believe what others want them to believe rather than making up their own minds. This echoes some of the work of Nam June Paik, considered the father of video art for his innovations in the 1960s. Paik would take footage of the Beatles and manipulate the waves so the Fab Four would disintegrate. He did this with politicians and other TV celebrities, hoping to convince viewers that the people on TV weren't indestructible gods. So you're not alone if you [...]